Mozambique Metro Map and Country Region
The Lateran Triclinium of Piazza San Giovanni, Rome, ends in an apse with a mosaic. It is from the 8th c. but was entirely redone in the 18th. In the conch, Christ holds a book open with the words: pax vobis. Around him stand the apostles, dressed in club-shaped tunics and the pallium, bearing the gammadia. The L as cornerstone is read on the pallium of the first apostle on the lefthand side, and on the right of the fifth. The use of the gammadion L at the Basilica of Santa Maria in Trastevere and S. Francesca Romana continued into the Middle Ages. It is difficult to say, however, if this was deliberate or merely a duplication of earlier models. The zeal with which it was used in the early centuries was lost, and an investigation into the matter is no longer easy. A. Quacquarelli, La simbologia delle lettere cristologiche nel Battistero degli ariani di Ravenna: RomBarb 2 1977 231-246; Id. Il monogramma cristologico gammadia: VetChr 15 1978 5-21; Id. Il monogramma cristologico gammadia H: VetChr 16 1979 5-20; Id. Catechesi liturgica e iconologica alla Trinità nei primi secoli. Gammadia lettera cristologica G: VetChr 18 1981 5-32; Id. La lettera cristologica gammadia I nella iconografia dei primi secoli: VetChr 23 1986 5-18; Id. Retorica patristica e sue istituzioni interdisciplinari, Rome 1995, 221- 225; T. Baarda, “The Cornerstone”: An Aramaism in the Diatessaron and the Gospel of Thomas: NT 37 1995 285-300; D. Mazzoleni, s.v. Gammadia, in F. Bisconti ed. Temi di iconografia paleocristiana, Vatican City 2000, 185-186.
History for Mozambique Metro Map
1641 In Boston, William Read paints the first colonial portrait. The subject of the portrait is the governor of Massachusetts, Richard Bellingham. Mozambique Metro Map 1650 The Tenth Muse Lately Sprung Up in Country; or Several Poems Compiled with Great Variety and Wit, etc. by Anne Bradstreet, is taken to England by Bradstreet’s brother-in-law, Reverend John Woodbridge, and published without her knowledge or consent. The Tenth Muse is the first book of poetry published by anyone, man or woman, living in the colonies of British North Country. The poems in this collection are linguistically and rhetorically accomplished; they are, however, for the most part, conventional and derivative, more products of Bradstreet’s poetic influences than they are of her individual poetic voice.