Blind people are trained here as masseurs, a job that Neijiang Travel they do with ease because blindness gives them a more finely tuned sense of touch. Back Neijiang Travel on my bicycle I joined the traffic. The jingling of bike-bells filled my ears, and the protesting quacks of ten ducks strung upside down from one bike’s handlebars. Bicycles are so plentiful that at crossroads there are traffic controllers who shout at you, and blow whistles if you ignore them. They direct the cyclists with little red flags and a green plastic loud-hailer. Bicycle loads can be outrageous – when I told someone that I’d seen a three-seat sofa on the back of a bike, he capped my story by saying that he’d seen a bike carrying a full-size sofa with a passenger sitting on top of it.
Neijiang Travel Photo Gallery
Conclusion
Gasoline Music creates an experience of elsewhereness which occurs in tandem with a located sense of the here and now. Like Michel de Certeau’s (1984) discussion of walking as writing urban space, participating in Gasoline Music re-writes the space of the city, embedding it into the body, through sound and movement, and highlighting driving as a production of space. Gasoline Music takes the routine activities and rhythms of the city, driving on the motorway and on urban streets, and makes them extraordinary.
Rogues’ Gallery create an immersive and embodied experience of the city that not only draws attention to the multi-sensory dimensions of urban space but also how art can transform our perceptions of everyday activities such as driving. Gasoline Music and Cruising becomes part of the mobile flows of the contemporary city, highlighting how transport and technology can still bring excitement to urban spaces one hundred years after the Futurists celebrated such transformations. Their work builds on a history of automoblity, sound and art in the city and draws attention to the city as a space of diverse encounter, which is experienced in and through the body.
